The proposed research project aims at the systematic documentation and critical analysis of the fifteenth Panhellenic Art Exhibitions, which were organised between 1938 and 1987 and were the most important periodical large-scale art exhibition in 20th century Greece. This study based on extensive research in state and private archives, state and private art collections, as well as in the daily and periodical press, shall provide us with essential information about the artistic production of each era (e.g. the dominant artistic trends), the means of State intervention in the arts and the trends within the art market. Finally, it will look at the art criticisms, which formed the dominant aesthetic canon, by promoting certain artistic criteria and consequently influencing the reception of the artworks by the public and the direction of the artistic production in Greece.
The Russian religious artifacts (icons and ecclesiastical furnishings), held in museums, church or monastery collections in the Balkans and the Eastern Mediterranean, constitute a body of valuable monuments hitherto largely neglected by historians and historians of art. These objects acquire various interrelated religious, ideological, political and aesthetic meanings, value, and uses. Their transfer and reception constitutes a significant component of the wider process of transformation of the artistic language and visual culture in the region and its transition from medieval to modern idioms. It is at the same time a process reflecting the changing cultural and political relations between Russia and the Orthodox communities in the Ottoman Empire and its successor states in the Balkans over a long period of time (16th- early 20th century). In this dynamic transfer, piety, propaganda and visual culture appear intertwined in historically unexplored and theoretically provoking ways. Applying the cultural transfer approach in combination with the recent challenging openings of art history to visual studies and social anthropology, RICONTRANS aims: to map the phenomenon in its long history by identifying preserved objects in the region; to follow the paths and identify the mediums of this transfer; to analyze the moving factors of this process; to study and classify these objects according to their iconographic and artistic particularities; to inquire into the aesthetic, ideological, political and social factors which shaped the context of the reception of Russian religious art objects in various social and cultural environments; to investigate the influence of these transferred artifacts on the visual culture of the host societies.
The project aims at the systematic recording and study of the pictorial production (paintings, prints and photographs) which is related to the Greek natural landscape from the 18th to the 20th century.
This research programme is a continuation of the programme “Greek artists in the West (15th – 18th century)”. It examines the pursuits of Greek artists who settled in various cities of the Italian peninsula and became engaged in its artistic developments, but did not cut their ties with Greece.
The research program aims to gather extensively into a database the writings of the most important Greek art critics of the 20th century. It intends to create an archive which will provide researchers, through a multiple and flexible search system, not only with a bibliographical record of the material, but also with the actual texts of art criticism (in form of digitized reproduction) so as to offer the possibility of their direct reading.
Τhe aim of the program is to study the 18th century, when, on the one hand, introducing Western styles in painting is being attempted, and, on the other hand, novelties in the artistic practice lead to efforts to its theoretical establishment by translating and adapting foreign art treatises.
The aim of the proposed research project is to initiate the systematic study of this phenomenon in its various aspects: to follow the paths through which these icons were brought to Greece, to explore the identity of those who ordered and donated them, to analyze the dynamics and the various moving factors (religious, political, ideological) of this process during its various historical phases.
An exhibition is organized that will shed light to the various aspects of the phenomenon, focusing on the movement of objects and their reception by and integration in a new ethnic, religious and cultural environment. The various paths and diverse forms of reception and adoption in the Greek world will be explored, as well as issues of dating of the Russian artworks and attribution to Russian workshops.
This program aims at a deeper understanding of Greek artists' work by way of collecting biographical evidence, identifying and documenting their work, and assessing the quality of their production. The program also seeks to investigate the identity of the artists' commissioners and their status within the new cultural environment.
The aim of the programme is to study the art of Crete in the Venetian period (13th–17th c.).
The goal of the project is the systematic and thorough study of the cultural influences, the social relations and the reciprocal exchange of ideas between Greece and France, from 1919 to 1939.
The aim of the program is to study the 19th century when, after the establishment of the Greek state, the transfer of Western artistic models/formulas have been instituted/established.