Photographing Antiquity
Photography as an intercultural mediator in multimedia production of symbolic and performative antiquity representations
2025-2027
Principal Investigator: Marianna Karali
Host Institution: IMS/FORTH
The "El Greco Center" of the Institute for Mediterranean Studies is the only center for scientific research in art history operating in Greece.
The Center was originally established in 1990, at the initiative of the Professor – now Emeritus Professor – of the University of Crete, Nicos Hadjinicolaou, aiming at the scientific study of El Greco's work. However, from the outset it has hosted other art history research projects as well.
The Center’s wider objectives are the research in the history of modern Western art from the late Μiddle Ages to the 20th century, the calling of scientific congresses and conferences, the organization of lectures and seminars, the publication of specialized studies, the establishment of a specialized library and photo gallery, and the organization of relevant exhibitions.
The research projects that take place in “El Greco Center” concern mainly the relations of the artistic production in the Greek area with that of the Mediterranean and the wider European area and are carried out in cooperation with various educational and cultural institutions in Crete and in Greece (The Benaki Museum, The French Archaeological School, etc.), as well as abroad.
Principal Investigator: Marianna Karali
Host Institution: IMS/FORTH
The proposed research project aims at the systematic documentation and critical analysis of the fifteenth Panhellenic Art Exhibitions, which were organised between 1938 and 1987 and were the most important periodical large-scale art exhibition in 20th century Greece. This study based on extensive research in state and private archives, state and private art collections, as well as in the daily and periodical press, shall provide us with essential information about the artistic production of each era (e.g. the dominant artistic trends), the means of State intervention in the arts and the trends within the art market. Finally, it will look at the art criticisms, which formed the dominant aesthetic canon, by promoting certain artistic criteria and consequently influencing the reception of the artworks by the public and the direction of the artistic production in Greece.
The Russian religious artifacts (icons and ecclesiastical furnishings), held in museums, church or monastery collections in the Balkans and the Eastern Mediterranean, constitute a body of valuable monuments hitherto largely neglected by historians and historians of art. These objects acquire various interrelated religious, ideological, political and aesthetic meanings, value, and uses. Their transfer and reception constitutes a significant component of the wider process of transformation of the artistic language and visual culture in the region and its transition from medieval to modern idioms. It is at the same time a process reflecting the changing cultural and political relations between Russia and the Orthodox communities in the Ottoman Empire and its successor states in the Balkans over a long period of time (16th- early 20th century). In this dynamic transfer, piety, propaganda and visual culture appear intertwined in historically unexplored and theoretically provoking ways. Applying the cultural transfer approach in combination with the recent challenging openings of art history to visual studies and social anthropology, RICONTRANS aims: to map the phenomenon in its long history by identifying preserved objects in the region; to follow the paths and identify the mediums of this transfer; to analyze the moving factors of this process; to study and classify these objects according to their iconographic and artistic particularities; to inquire into the aesthetic, ideological, political and social factors which shaped the context of the reception of Russian religious art objects in various social and cultural environments; to investigate the influence of these transferred artifacts on the visual culture of the host societies.
Scientific responsible: Evgenios D. Matthiopoulos
The project aims at the systematic recording and study of the pictorial production (paintings, prints and photographs) of the Greek natural landscape from the 18th to the 20th century.
Scientific coordinator: Panayotis K. Ioannou
This research programme is a continuation of the programme “Greek artists in the West (15th-18th century)”. It examines the pursuits of Greek artists who settled in various cities of the Italian peninsula and became engaged in its artistic developments, but did not cut their ties with Greece.
The aim of the program is to study the art of Crete in the Venetian period (13th–17th c.).
At the IMS there is a library specialising in two main fields. One concerns the creation of a library devoted to the work of El Greco, Italian (mainly Venetian and Roman) painting of the 16th C and Spanish painting of the 16th-20th C. The library has already been expanded with journals, unique in Greece, which were purchased with funds donated by the Anastasios G.Leventis Foundation, 3E Company and donations from the Spanish Ministry of Culture, as well as the Zentralinstitut of Munich.
Furthermore, important monographs on El Greco have been donated to or purchased by the library, and there are catalogues of major exhibitions which have been organised in Greece and abroad.
At the El Greco Centre there is a photo archive for the study of the work of El Greco, as well as art in Crete and Italy 16th-20th C, and art in Spain 16th-20th C.


The photo archive was expanded in recent years with the digitalisation of most of the artist´s works and with slides donated by the Kunsthaus of Zurich and the National Gallery of London.
The El Greco Centre employs four scholarship students who attend the postgraduate program "History of European Art" at the University of Crete, the Department of History-Archaeology, Department of Archaeology and History of Art. All the post-graduate students have access to the library and photo archive within the framework of the program for the production of work related to seminars and coursework. The following postgraduate students of the "History of European Art" program have been employed by the El Greco Centre on scholarships:
Currently the following scholarship students continue to be employed:
On 13th September 1990, at the end of the international congress entitled "El Greco of Crete", which was organised in Heraklion concurrently with the exhibition of the artist´s works, the Academic Council of the Institute of Mediterranean Studies approved the proposal to establish the El Greco Centre (KDT). The aim of the El Greco Centre, which has no institutional/administrative autonomy within the framework of the IMS, is the study and promotion of the work of El Greco, art in Crete and Italy in the 16th C, as well as art in Spain in the last five centuries.
The cornerstone of the Centre is the specialised library and its photo-archive, both of which are being constantly expanded with new material. Donations from Greek institutes and businesses, as well as private individuals, have already made possible the purchase of a number of very important books and complete series of Spanish journals (Archivio Español de Arte y Arquelogia, Arte Español, Boletin de la Sociedad Español de Excursiones), while the Spanish Ministry of Culture donated the available volumes of the journals Goya and Reales Sitios. On the occasion of the tenth anniversary of the ITE, the El Greco Centre brought El Greco´s painting "St Peter" from America, which, after being exhibited in Heraklio, was purchase by the National Gallery. Every 4-5 years the El Greco Centre organises an international symposium devoted to the work of El Greco. At the El Greco Centre, the program "El Greco in Italy" has already been completed.
As a result of the issues raised at earlier stages by the research on the above topic and the completion of the program, the exhibition "El Greco in Italy and Italian Art" was organised in co-operation with the National Gallery, and there was a similarly entitled symposium in Rethymno at which 34 experts from Greece, Europe, America and Japan spoke. The exhibition and symposium were reported in European and foreign newspapers and journals.
The objective of the research is the study of works produced by El Greco, the study of art in Crete and Italy in the 16th C, as well as art in Spain in the last five centuries.
Academic Supervisor
Nicos Hadjinicolaou (Professor of History of Western Art, Department of History and Archaeology, University of Crete)
Research team
Postgraduate students, Department of History and Archaeology, University of Crete
Publications
Articles
Books, exhibition catalogues and collective volumes
Conferences
Exhibitions