This project, part of the broader action Kripis II, aims at the pilot exploration of the soundscape of the Balkan and Mediterranean city, with an emphasis on the transition from the preindustrial to the contemporary city.
The BIOnian project aims at identifying, recording, mapping and developing "smart" tools for monitoring and identifying the Ionian Islands Region species that are related, supported or used as habitat for the Region's territorial resources.
The Russian religious artifacts (icons and ecclesiastical furnishings), held in museums, church or monastery collections in the Balkans and the Eastern Mediterranean, constitute a body of valuable monuments hitherto largely neglected by historians and historians of art. These objects acquire various interrelated religious, ideological, political and aesthetic meanings, value, and uses. Their transfer and reception constitutes a significant component of the wider process of transformation of the artistic language and visual culture in the region and its transition from medieval to modern idioms. It is at the same time a process reflecting the changing cultural and political relations between Russia and the Orthodox communities in the Ottoman Empire and its successor states in the Balkans over a long period of time (16th- early 20th century). In this dynamic transfer, piety, propaganda and visual culture appear intertwined in historically unexplored and theoretically provoking ways. Applying the cultural transfer approach in combination with the recent challenging openings of art history to visual studies and social anthropology, RICONTRANS aims: to map the phenomenon in its long history by identifying preserved objects in the region; to follow the paths and identify the mediums of this transfer; to analyze the moving factors of this process; to study and classify these objects according to their iconographic and artistic particularities; to inquire into the aesthetic, ideological, political and social factors which shaped the context of the reception of Russian religious art objects in various social and cultural environments; to investigate the influence of these transferred artifacts on the visual culture of the host societies.
Total project Budget: 2,859,783€
Total eligible project budget: 2,771,090€
European Community contribution: 1,662,654€ (60% of the eligible budget)
Beneficiaries contribution: 1,197,129€
This project attempts to highlight the developments of the settlement patterns in Eastern Crete from the Classical to the Venetian period. The main goal is to enlighten the transition from the ancient autonomous city-states to the medieval cities and villages. This work aims to a better understanding of the economic, social, political and also environmental issues that influenced that evolution.
Concentrating on the eastern part of Crete, it is the occasion to see how, on a same territory but on a long chronological period, through very different administrative systems, population has organized itself, balancing between a centralized and a disseminated mode of settlement.
The purpose of the project is to develop integrated methodologies for using space technology to estimate soil erosion rates in Mediterranean basins. 5DARE project will assess the impacts of a changing climate, land use, soil moisture, hydrology and vegetation cover on the quantity of erosion processes in catchments areas in the Mediterranean.
The project will explore Ottoman concepts and beliefs about the supernatural. Its main objectives will be to examine the significance and content of the various perceptions of the "supernatural", to place them within the various Ottoman world images, to analyse the changes that have occurred over time and to relate them to the emergence of different cultural levels and social groups.
The program aims to promote young researchers in cutting-edge technologies to preserve cultural heritage and address societal challenges.
The project aims at the systematic recording and study of the pictorial production (paintings, prints and photographs) which is related to the Greek natural landscape from the 18th to the 20th century.
The surface survey at Mount Oxa started in 2017 under the auspices of the Byzantine and post-Byzantine Department of the Ministry of Culture and Sport (protocol number: ΥΠΠΟΑ/ΓΔΑΠΚ/ΔΒΜΑ/ΤΕΕΑΕΙ/ 357358/233390/6024/541). This deliberation granted the permission to the Ephorate of Antiquities of Lassithi to begin a new surface survey on Mount Oxa in collaboration with the Laboratory of Geophysical Satellite Remote Sensing and ArchaeoEnvironment at the Institute for Mediterranean Studies (FORTH), in a program articulated in three years (2017-2019).